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Tres arbres i tretze fruites

Project 4 (Soon)

Project 5 (Soon)

Project 6 (Soon)

Project 7 (Soon)

Project 8 (Soon)

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Project 10 (Soon)

Project 11 (Soon)

Project 12 (Soon)

By embodying grief, lending an ear to a healer and thinking along with nature, this performance asks the participants how our personal traumas might help to create a more caring society.

The subject draws on the idea that personal difficulties are not only related to individual breakdowns, but are connected to a larger dysfunctions in social structures. In this context, alternative occidental therapies and fungi are interwoven as examples to show that the interconnectedness among people is extremely important in the recovery of the traumatised individual. It is a project about land, about people, about rootedness, about feeling connected instead of alienated, and about living in community.

My own experiences are embodied in a photobook that shows the visual exploration I took over the past two years, which also contains healing sessions and recipes for various ills and evils. It also includes mushroom spores so the book can grow into a mushroom, representing the importan- ce of letting things go. The project will be presented as a performance that proposes horizontal learning among the participants within the context of The Netherlands.

From the tip of the tongue to the soles of the feet.

2020-2022

  • Institut Valencià d’Art Modern, IVAM.

    Download info here.

     

    Go to the project’ site here.

  • Tretze cadires.

    Installation, 2022.

    Tres arbres i tretze fruites. Time based media, 2022-2072.

  • Work in situ, Vallat, Alto Mijares, Castellón, Spain. From 24 November to 7 January, Cáceres.

2018, Pam! Pam! 18. Curated by José Luis Clemente. From October 2nd to 27th, Atarazanas, Valencia (ES).

Observatorio.

2018

  • Colección d’Art Contemporani del Consorci de Museus de la Generalitat Valenciana. CCCC.

    Colecció del Museu de la Ciutat de Castelló, MUCC.

  • 2022, XXV Plastic Arts Prize. Sala de Arte EL BRONCENSE.

    From 24 November to 7 January, Cáceres.

    2022, Art Contemporani de la Generalitat Valenciana IV. Centro Cigarreras. From 9 September to 3 December, Centro Cigarreras, Alicante.

    2022, Art Contemporani de la Generalitat Valenciana IV. CCCC. From 5 November to 23 January, Centre del Carme, Valencia.

    2021, Art Contemporani de la Generalitat Valenciana IV. EACC.
    From 6 November to 3 October, Espacio de Arte Contemporáneo de Castellón.

    2019, XI Expresión Plástica Award. Fundación “Ramón J. Sender From 18 November to 10 February, Barbastro, Huesca.

    2019, PHotoEspaña. Enaire award.
    From 5 June to 31 August, Real Jardín Botánico, Madrid.

    2018, Pam! Pam! 18
    Curated by José Luis Clemente.
    From 2 to 27 October, Atarazanas, Valencia.

2018, Pam! Pam! 18. Curated by José Luis Clemente. From October 2nd to 27th, Atarazanas, Valencia (ES).

  • Institut Valencià d’Art Modern, IVAM.

    Download info here.

     

    Go to the project’ site here.

  • En el observatorio no1. Pinhole photograph.
    Copy on 150 gr mupi photographic paper assembled on 3mm dibond, fra- med with mansonia wood and 3mm anti-reflective methacrylate, 194 x 124 cm, 2018. Ed 2 + 1 PA.

    En el observatorio no2. Pinhole photograph.
    Copy on 150 gr mupi photographic paper assembled on 3mm dibond, fra- med with mansonia wood and 3mm anti-reflective methacrylate, 194 x 124 cm, 2018. Ed 2 + 1 PA.

    En el observatorio no3. Pinhole photograph.
    Copy on 150 gr mupi photographic paper assembled on 3mm dibond, fra- med with mansonia wood and 3mm anti-reflective methacrylate, 194 x 124 cm, 2018. Ed 2 + 1 PA.

    En el observatorio no4. Pinhole photograph.
    Copy on 150 gr mupi photographic paper assembled on 3mm dibond, fra- med with mansonia wood and 3mm anti-reflective methacrylate, 194 x 124 cm, 2018. Ed 2 + 1 PA

    En el observatorio no5. Pinhole photograph.
    Copy on 200gr. baryta paper. Framed in mansonia wood and museum glass. 132 x 100 cm, 2018

  • 2022, XXV Plastic Arts Prize. Sala de Arte EL BRONCENSE.

    From 24 November to 7 January, Cáceres.

    2022, Art Contemporani de la Generalitat Valenciana IV. Centro Cigarreras. From 9 September to 3 December, Centro Cigarreras, Alicante.

    2022, Art Contemporani de la Generalitat Valenciana IV. CCCC. From 5 November to 23 January, Centre del Carme, Valencia.

    2021, Art Contemporani de la Generalitat Valenciana IV. EACC.
    From 6 November to 3 October, Espacio de Arte Contemporáneo de Caste- llón.

    2019, XI Expresión Plástica Award. Fundación “Ramón J. Sender From 18 November to 10 February, Barbastro, Huesca.

    2019, PHotoEspaña. Enaire award.
    From 5 June to 31 August, Real Jardín Botánico, Madrid.

    2018, Pam! Pam! 18
    Curated by José Luis Clemente.
    From 2 to 27 October, Atarazanas, Valencia.

In Observatorio, we find a series of images taken inside bee boxes, as if we are inside a camera. Therefore, we are facing a point of view much smaller than our own, the bees’ landscape. The interplay of scales that unfolds under our gaze takes us to unknown places in the vegetation. The reason for hiding the bee boxes in- land is the large number of robberies that the beekeepers suffer, including my family. In the last decades, we have been robbed several times. Finding new places to hidde our bees I decided to install several camouflaged pinhole cameras that were located next to the bee’s hives in the interior of Castellón: La Plana Alta and Maestrazgo. From inside, we can understand the camera as an observatory and refuge from which to monitor and wait for the captures to be made. After observation, a state of clarity arises in the eye on the decision, the framing and the point of view that will condition the result of the hunt.

Observatorio.

2018

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